# How to use a Hurricane Wisdom type beat to finish a melodic trap song faster A practical guide to the Hurricane Wisdom type beat "Soul Tied" by December: 172 BPM, sample-led melodic trap, licensing rules, crediting and workflow. Source: https://hihah.top/how-to-use/ · based on the channel [December](https://www.youtube.com/channel/UCswSdUjtAZ7FYjKHk5q8Wag) · Video: [(FREE) Hurricane Wisdom Type Beat - "Soul Tied"](https://www.youtube.com/watch?v=lapZRzWre5o) · 2026-10-23 ![How to use a Hurricane Wisdom type beat to finish a melodic trap song faster](https://hihah.top/how-to-use/how-to-use.webp) ## Key takeaways - "Soul Tied" is a free Hurricane Wisdom type beat produced by thesshabo and published by the channel December on 2026-09-27. - Tempo is 172 BPM; the key is left blank in the description, so check it by ear before recording. - Free use is non-profit only; distribution or monetization requires a purchased lease. - Credit must read prod. thesshabo in the song title. - The beat is built on a vocal sample with melodic trap drums, the signature of the Florida melodic rap sound. A Hurricane Wisdom type beat is a sample-driven melodic trap instrumental built to fit the Florida rapper's singing-rapping style, and "Soul Tied" by the producer thesshabo, released on the channel December, is a clean example: 172 BPM, a looping vocal sample and drums that leave room for melodic delivery. You can grab the high-quality file through the [download and lease page for "Soul Tied"](https://bsta.rs/8vqACy) and start writing over it the same day. ## What "Soul Tied" actually contains The beat is a sample type beat, meaning the melodic core is a chopped and filtered vocal or instrumental loop rather than a synth line written from scratch. That loop carries the emotional weight, and the drums are deliberately sparse so a vocal can sit on top without fighting for space. At 172 BPM the track reads as mid-tempo melodic trap rather than fast rap: the perceived half-time feel lands around 86 BPM, which is the pocket most singing-rappers use for reflective, hook-heavy records. The description lists the tempo but leaves the key field empty, so the practical move is to find the tonal center by ear or with a tuner before you record. Producers who pitch-shift their vocals will want that number on hand. ## How to write over a 172 BPM melodic trap beat Start with the hook, not the verse. Melodic rap records in this lane live or die on the chorus, and a 172 BPM sample loop gives you roughly eight bars of emotional space before the ear wants a change. 1. Loop the first eight bars and hum melodies without words until one sticks. Record it on your phone before you lose it. 2. Write the hook around that melody with four to six syllables per line, so the phrasing stays loose against the sample. 3. Draft a 16-bar verse that alternates sung lines with short rapped bursts, which is the core Hurricane Wisdom cadence. 4. Leave the last two bars of each section open for ad-libs or a drop-out; the sparse drum pattern makes silence sound intentional. 5. Track vocals twice: a main take and a doubled take panned slightly, then a quiet harmony an octave up on the hook only. If you rap strictly on the beat rather than half-time, you will need denser triplet flows to fill 172 BPM. Most writers in this style choose the half-time pocket instead. ## Licensing, crediting and what "free" means here The beat is free for non-profit use only. That covers practice runs, freestyles, SoundCloud uploads with no monetization and songs you never distribute. The moment you push a track to Spotify, Apple Music, YouTube Content ID or any other distribution service and expect revenue, you must purchase a lease through the producer's page. Crediting is mandatory and specific: the producer tag goes in the song title as prod. thesshabo. Skipping it is the most common reason a lease gets disputed later, and it also breaks the chain that sends listeners back to the beat maker. Keep a copy of your purchase receipt with the project file; distributors occasionally ask for proof of license when a sample-based beat triggers a claim. ## Fixing the usual doubts before you commit The two recurring questions around beats like this are whether a sample-based instrumental is strong enough to carry a full song and whether the drums are doing enough. Listeners often praise the sample and then wish the percussion hit harder. The fix is not to abandon the beat but to add your own layer: a light shaker or closed hat pattern, a subtle 808 glide under the hook, or a filtered drum bus that opens up in the second chorus. On the writing side, many artists get stuck because they try to fill every bar with words. Sample beats reward restraint. Leave gaps, let the loop breathe, and treat the vocal as another instrument in the arrangement rather than a wall of lyrics. If you are unsure whether a take works, bounce it to a phone speaker; melodic trap is designed to survive lo-fi playback. A second common doubt is key and tuning. With the key unspecified, singers who record without checking pitch often end up a semitone off the sample and blame the beat. Tune the vocal, not the instrumental, and the loop will sit properly. ## Building a session around the beat files The producer also links the [drum kit used to make "Soul Tied"](https://bsta.rs/t5CPrq), which is worth opening if you want your own productions to sit in the same sonic family. Matching kick and snare character to the reference is faster than hunting through a library. Set your DAW to 172 BPM, import the beat, and label the arrangement sections before recording anything: intro, hook, verse, hook, bridge, hook. Keep the master bus clean while tracking and leave at least 6 dB of headroom for the vocal chain. Export a rough mix at every session so you can compare versions later; melodic records change a lot between the first hummed idea and the final take. ## Final thoughts on the Hurricane Wisdom type beat approach The "Soul Tied" instrumental works because it does one thing well: a warm sample loop with drums that stay out of the singer's way. Use the [lease and download page](https://bsta.rs/8vqACy) to secure rights before any paid release, credit prod. thesshabo in the title, and write the hook first at half-time feel. The channel December published the beat on 2026-09-27, and its breakdown of the sound is a useful reference point for anyone building in the Florida melodic trap lane. Treat the free version as a demo tool and the lease as the step that turns a demo into a release. ## Questions & answers **Can I release a song on "Soul Tied" for free on streaming platforms?** No. The free download is non-profit only. Any distribution or monetization through streaming services requires a purchased lease from the producer's page, and you must credit prod. thesshabo in the song title. **What tempo and key is the beat in?** The tempo is 172 BPM, which most writers treat as a half-time feel around 86 BPM. The key is not listed in the description, so determine it by ear or with a tuner before recording vocals. **The drums feel thin compared to the sample. What should I add?** Add your own percussion layer rather than replacing the pattern: a shaker or closed hat, a subtle 808 glide under the hook, or a filtered drum bus that opens in the second chorus. The sparse arrangement is intentional so the vocal has room. **Do I have to credit the producer if I only post a freestyle online?** Crediting is required as a condition of use, so include prod. thesshabo in the title even for a non-monetized upload. It protects you if the track later grows and also sends listeners back to the beat maker.